Showing posts with label Reviews. Show all posts
Showing posts with label Reviews. Show all posts

Tombstones - Red Skies and Dead Eyes

Posted by Captain Beyond Zen on Thursday, November 21, 2013


The night wind howls over the barren land. The black moon shines from a pitch-black sky and baths the shadows in eerie light. A lonely guitar riff and drums like a thundering echo abandon the silence severely.

This is barely worded how Tombstones' 'Red Skies and Dead Eyes' starts and this dark mood pervades the whole album and it is one of the biggest merit of it. The monotone riffing of the extremely downtuned guitar have an hypnotic effect to the listener.

Horisont - Time Warriors

Posted by Captain Beyond Zen on Wednesday, November 13, 2013


'Time Warriors' by Horisont was one of the most anticipated album by me in 2013 after the release of their masterpiece 'Second Assault', which entered rank #13 in my top album list of 2012. My expectations went to sky high and I was champing at the bit to listen to this album. But things never turn out the way you expect.

Where the predecessor 'Second Assault' came up with a more harsh and rough around the edges sound, supplemented with psychedelic excursions, Horisont shift down a gear on 'Time Warriors'.

In Solitude - Sister

Posted by Captain Beyond Zen on Wednesday, November 6, 2013


'Sister' by In Solitude wasn't on my watch list for 2013, because In Solitude fell out of my scope in the past. I classified In Solitude as one of the so called NWOTHM (New Wave Of Traditional Heavy Metal) bands, which mushroomed up since 2008 especially in Sweden. Enforcer, RAM, Helvetets Port, Steelwing, Bullet, Portrait and In Solitude are the spearhead of this wave in Sweden among others.

They take their cue for their musical inspiration from a diverse range of bands like Angel Witch, Mercyful Fate, Manilla Road, Iron Maiden and Motörhead. Accordingly to their heroes the results of their musical output varied pretty much.

Noctum - Final Sacrifice

Posted by Captain Beyond Zen on Tuesday, November 5, 2013


The first impression counts. After removing the plastic foil and opening the CD cover the fragrance of the booklet comes to my nose. Wow, this is the best smelling booklet of the year! With this olfactory exaltation I am ready to enjoy Noctum's sophomore album 'Final Sacrifice'.

Mountain Witch - Cold River

Posted by Captain Beyond Zen on Sunday, October 27, 2013


All fans of Kadavar, Uncle Acid & the deadbeats, Graveyard and Horisont: Pay attention! The new 70's hard rock/retro/occult sensation is knocking at your door! Mountain Witch serve a proper brew of awesome Sabbathian riffs and 70's hard rock melodies which you could wish for. If you were disappointed with Sabbath's 13, you should continue reading.

Mountain Witch's 'Cold River' stream plays consistently on my PC for more than a week now and I can't get enough of this old-school, dark and gritty doom rock. You could accuse the band to ride on the occult rock wave but Mountain Witch combine all these familiar elements to a great listening experience.

Bloody Hammers - Spiritual Relics

Posted by Captain Beyond Zen on Sunday, October 20, 2013


Eleven months ago it was one of those great moments in the Doom/Gothic/Heavy Psych genre, when Bloody Hammers from Charlotte, NC, released their self-titled debut album. Bloody Hammers entered the scene out of nowhere and captured everybody's heart, especially of those, who long for a mixture of fuzzy Doom and Heavy Psych with a gothic touch and catchy hooklines and deadly guitar riffs and the icing on the cake were the creepy and ominous synths.

Kadavar - s/t

Posted by Captain Beyond Zen on Sunday, March 18, 2012


The first sensation of 2012 comes from Berlin. The trio KADAVAR released their self titled debut on This Charming Man Records, which is a brand new label from Muenster, Germany. This small but nice label works with Cargo Records & Green Hell Records as their distribution- and wholesale partners. The first vinyl press is nearly sold out, but fortunately the second press (green wax) is on its way. Good news for fans in the US - Tee Pee Records is proud to announce they will be releasing Kadavar's self titled record in the next few weeks.

Kadavar offer 70's occult rock at its finest and their debut catapults them into the top tier of the 70's vintage heavy psych occult rock on the same level as Orchid and Uncle Acid & the deadbeats. Kadavar draw from the plentiful fund of creative ideas from bands like Black Sabbath, Hawkwind, Led Zeppelin and Witchfinder General. Don't make the mistake to take them for copy cats. Kadavar distill a strong brew of their own. Their label accurately described it: "You can’t reinvent the wheel, but you can roll it!"
Don't miss this highlight of the year! Kadavar will blow you away!

MEMBERS:
Christoph "Wolf" Lindemann (vocals, guitar), Mammut (bass), Tiger (drums)

TRACKLISTING:

01. All Our Thoughts
02. Black Sun
03. Forgotten Past
04. Goddess Of Dawn
05. Creature Of The Demon
06. Purple Sage

Borracho - Splitting Sky [2011]

Posted by Captain Beyond Zen on Wednesday, August 3, 2011


"Washington DC’s Borracho delivers a groove-laden and epic heavy rock sound that combines soaring musicality with subterranean propulsion. The band draws on deep influences that span multiple decades and genres, encompassing classic rock a-la Black Sabbath and Deep Purple, stoner grooves in the vain of Clutch, Down, and Fu Manchu, and epic metal akin to Metallica, Mastodon and High on Fire. They build upon this foundation with their own brand of sonic richness, occasionally delving into sludge and doom just enough to topple the fortress.

The band took root in 2007, when four friends and bandmates set out to create a side-project that would indulge the heavier side of their musical tastes, and challenge their musicianship in new ways. The idea for Borracho was to create a straight-up stoner rock band to feature the vocals of Assrockers drummer Noah. In order to move him out from behind the kit, Adam West/Assrockers lead guitarist Mario moved onto the drums, an instrument he’s dabbled with for years. Adam West bassist Steve picked up his trusty flying V and like a riff machine, began unleashing material that quickly grew beyond the bounds of any one genre, probing further and deeper than his prior musical pursuits and, indeed, than the current group’s expectations. Assrockers rhythm guitarist Tim filled up the critical low end on bass, and the final piece was in place..." (last.fm)

One of the biggest hopefuls of the stoner metal scene is Borracho, who released the milestone Splitting Sky. This record was featured and reviewed in nearly EVERY relevant stoner/doom blog (The Soda Shop, Heavy Planet, Sludgelord, Doommantia, The Obelisk, The Sleeping Shaman, Hellride Music, et al.), so that there is not much left to say for me. I make it short - BETTER THAN CLUTCH! Blasphemous? No, it is the truth.



Track listing
1 Redemption 1:37
2 Concentric Circles 3:21
3 Bloodsucker 7:37
4 Grab The Reins 11:05
5 All In Play 8:23
6 Never Get It Right 6:53
7 Grinder 6:34
8 Plunge/Return 11:35

Members
Noah - Vocals and Guitar
Steve - Lead Guitar
Tim - Bass
Mario - Drums

Website | Bandcamp | Facebook | Twitter | Reverbnation

Dopethrone - Dark Foil [2011]

Posted by Captain Beyond Zen on Monday, August 1, 2011


The Throne was established in March 2008 in Montreal, Quebec, Canada as a completely D.I.Y. project in the very core of Hochelaga. After only 3 weeks of legendary drunkenness and sacred bong worship, Dopethrone already composed 4 songs and was talking about an album concept…
A year later, the new album: DEMONSMOKE was materialized. In the spirit of “Do-It-Yourself”, The Logo and concept was created by Vincent (guitar - vocals), the recording by Thomas (drummer) and the CD was produced by Vyk (bassist)…(last.fm)

Dark Foil is one of the biggest surprises of 2011 so far and apart from that one of the heaviest albums ever. Dopethrone come from nowhere (in this case nowhere is Montreal) and created with Dark Foil a monster of the heaviest stoner doom sludge metal you can imagine - a brutal bastard of Electric Wizard's Dopethrone (what a surprise!) and Weedeater's God Luck And Good Speed. Other similar artists, which comes to my mind, are Stonehelm, Wizard Smoke and Belzebong.  Every song is a killer and catchy as an ear candy but with an earsplitting massive destructiveness of an atomic bomb.

Dopethrone has members of: Vatican, Blight, Unquintessence, (ex)Excreted Cowboy and (ex)Fatal Flaw.


Lineup
Borman - Drums
Vincent - Guitar, Vocals
Vyk - Bass

Tracklist
1. Dark Foil
2. Tap Runner
3. Porcelain God
4. Ain't No Sushine
5. Zombi Powder
6. Cosecha De Sangre


Birch Hill Dam - Colossus [2011]

Posted by Captain Beyond Zen on Thursday, July 28, 2011


Nomen est omen. This album is colossal. Birch Hill Dam is a heavy rock band from Massachusetts and they released their sophomore album Colossus. The music on Colossus takes the same line as Alabama Thunderpussy, House of Broken Promises and Down of course. Colossus comes straight from the heart with 100 percent groove, roaring growls, southern guitar solo for which Pepper Keenan hasn't to be ashamed of and now and then Birch Hill Dam embed a 70's hard rock organ into their sound. Birch Hill Dam flex their muscles. Stoner southern metal at full throttle kicks your ass with the sound of a V8 engine. Let’s burn rubber, baby!



Members
Mike Nygard (Vocals)
Sam Barrett (Guitar)
Matt Neely (Drums)
Pete Gelles (Bass)

Track list
1. Colossus
2. 2600
3. Fathom's Below
4. Slavedriver
5. Holy Days Aren't Here Again
6. Threatening Skies
7. Ivory Tusk
8. Spread Eagle
9. Burn in Hell (Bonus Track)

Website | Bandcamp | MySpace | Facebook | Twitter

Cultura Tres - El Mal Del Bien [2011]

Posted by Captain Beyond Zen on Wednesday, July 27, 2011


"Now hailed as the national rock/sludge pride of Venezuela, Cultura Tres came from far. With the first EP “Seis” (2007) the band already outgrew the South American continent. But only after releasing debut album “La Cura” in October 2008, the band started to get noticed worldwide. During the preceding year of rigorous composing, Cultura Tres incorporated many influences into their sound, ranging from sludge to doom metal and from death metal to classic rock.

In the summer of 2010 the members locked themselves up in the studio to prepare the second album: “El Mal del Bien”. The result is - in the band member’s own words - “an album with a single clear direction”. Cultura Tres delves deeper into the dark atmospheric vein that already showed itself at moments in debut album La Cura. The daring album opener “Propiedad de Dios” sets the mood: it sounds like the soundtrack of a tragic cult movie. The songs that follow evoke the witchery, slavery, oppression and religious madness that influence the South American continent to this day. Being a concept album adds another dimension to the individual songs. A patient listener will be dragged into a hallucinating trip around the insane world the album paints.
Interestingly, the band has chosen to cover what might well be the first doom track in South America: “Holy Graveyard” (1992) by Epitafio. Alejandro Londoño, having been a member of this band in the past, has now fully closed the circle. Cultura Tres is living proof that the genre of doom/sludge was not dead in South America but merely dormant. Now it has woken again, not only speaking Spanish, but more importantly, with its own face." (www.facebook.com/culturatres)

Cultura Tres from Maracay, Venezuela, released their second full length album "El Mal Del Bien", which steamrolls the listener like a juggernaut. Dark doom/sludge mixed with many influences, especially the metal genres death/thrash and even nu metal, roars like a wounded beast and sometimes Cultura Tres come as close as possible to the South American uber-band Sepultura. This is the biggest compliment you can give to a South American band. It all started with Sepultura in South America and it will not end with Cultura Tres. Another band, which comes inevitably to the mind, is Los Natas from Argentina. It is not first and foremost the music, but rather the dark atmosphere and the exceptional sound. "El Mal Del Bien" is a musical revelation for those tired of the usual. Cultura Tres is the harbinger of the dawn of a new Doom/sludge era in South America. Outstanding!


Members
Alejandro Londono - vocals, guitar
Juan Manuel de Ferrari - guitar, backing vocals
Alonso Milano - bass, backing vocals
David Abbink - drums

Track List
01. Propiedad De Dios
02. Purified
03. Los Muertos De Mi Color
04. El Sur De La Fe
05. No Es Mi Verdad
06. The Grace
07. El Mal Del Bien
08. Voices
09. Tres Seis Diez Dos
10. Your Call
11. Holy GraveYard (bonus track)
12. Black Sabbath (bonus track)

Produced and mastered by Alejandro Londoño

Uncle Acid and the deadbeats - Blood Lust [2011]

Posted by Captain Beyond Zen on Monday, July 25, 2011


The year in music is getting more and more obscure - and better, too. The climax of obscurity has been reached by a band called Uncle Acid and the deadbeats. This 70's Lo-fi witchy horror doom album Blood Lust is starring Uncle Acid, Kat and Red. Don't take it seriously. This is entertaining you like a horror B-movie. Every song is a hit and after the last tune is faded away you push the repeat button will-lessly like a zombie in the night of the living dead. You cannot escape from the army of darkness called Uncle Acid and the deadbeats, and you will walk with the zombie until Blood Lust has infected you. Blood Lust is like the kiss of a vampire - tempting, but fatally. Nearly perfect. Maximum on an open-ended scale!

Plot:
One mans lust for women's blood turns into a drug orgy of torture, magick and MURDER. Critics have described the work as "Vile, hateful trash". File under B MOVIE, BETAMAX HORROR, LOW BUDGET, SEXPLOITATION, DOLLAR THEATER etc.

The songs on this audio recording disc are as follows:

1. I'll Cut You Down
2. Death's Door
3. Over And Over Again
4. Curse In The Trees
5. I'm Here To Kill You
6. 13 Candles
7. Ritual Knife
8. Withered Hand Of Evil
+ 1 bonus track

Oyabun - Gods And Dogs [2011]

Posted by Captain Beyond Zen on Sunday, July 24, 2011


"OYABUN was born in 2006, in Bordeaux, but then, Mother of Pearl was its name. It remained such until early 2010, when one of its founding members left. Meanwhile, they’ve recorded a first demo (5 songs, on 8 tracks, in less than 7 hours), in 2007, which was welcomed by many critics, and played numerous gigs - the highlight being our opening for The Lords of Altamont in 2008. A new release was planned for that same year, but they unfortunately had to postpone its recording to 2010 due to successive line up changes. GODS & DOGS was released February 2011 (this time, under the name of OYABUN) by the catalan label Discos Macarras. OYABUN recently won the french edition of the Volcom Band Joust, on which occasion they had the great pleasure to share a stage with Orange Goblin. At the moment, OYABUN is working on new material for the next record which should be entitled Zero Zen." (Oyabun's MySpace site)

One of my favourite albums in 2011 has been released by the obscure band OYABUN. Their masterpiece Gods And Dogs can be described as heavy psych stoner doom 70's hard rock. All songs on Gods And Dogs are melodically and technically fully matured like superior quality well hung meat. The grandiose guitar solos, the majestic vocals, the fuzzy and raw sound and the superb rhythm section are a feast for the ears of every music gourmet. France expands their widely recognized reputation for fine food into the field of fine rock music. These four French guys serve haute cuisine for your ears. Bon appétit.

Current line up:
Fabrice Dercourt : vocals
Olivier Blanc : guitar
Joël Riffard : bass
Boris Senon : drums

Tracks:
1. Brontosaurus Blues
2. Guilt
3. Fahrenheit
4. Back to Full Color Mode
5. Holy Shit
6. Time to Say Goodnight
7. Rock 'n' Roll Stage

Iron Claw - A Different Game [2011]

Posted by Captain Beyond Zen on


"The first new music from Scotland's Iron Claw in over forty years, A Different Game finds the band approaching their brand of melodic heavy rock from the only perspective they've ever known...with honesty and integrity. Recorded live with few overdubs, this new album captures a raw veteran band playing with the exuberance and gusto of a band half their age, and geared up to turn a whole new generation of rock fan onto their guitar-driven, gritty blues-tinged sound. Final mix and mastering work was performed by classic rock preservationist, Tony Reed (Stone Axe/ Mos Generator).

Serendipity.
 
From 1969 to 1974 Scottish Heavy Rock band Iron Claw plowed across the UK, blasting out relentlessly heavy doom-laden, heavy blues rock. In and out of the recording studios, the band never officially released an album, but the bulk of the their recorded output finally saw the light of day in 2009, released as a self-titled CD by Rockadrome. 35 years had passed since their last recording, but it was as if time had stood still. 2009 found a hungry audience, salivating at the heavy riffs and earthshaking rock that was Iron Claw. Stunned by the overwhelming response, the lads of Iron Claw started talking and soon, the band had reformed to work on new material. The buzz began to build.

Meanwhile, thousands of miles away, John and Todd of the Ripple Effect were formulating plans of their own. A record label was in the works to unleash the underground/authentic rock sounds that they'd spent the previous four years championing with their fan-favorite music site, The Ripple Effect. Since The Ripple Effect had pounced all over the Rockadrome Iron Claw album, an email from the band was sent to The Ripple Effect informing them of the plans to reform.

Wheels were set in motion.

Within weeks of Iron Claw's email, the band and Ripple Music found themselves in perfect musical kismet. A recording and publishing contract were signed. Iron Claw was officially part of a dynamic new indie rock label and Ripple Music had an underground legend on their roster. Together, they'd unleash new heaviness upon the world.

Local musician Gordon Brown (vocals) joined the three original founding members of the band; Ian McDougall (drums), Jimmy Ronnie (guitar) and Alex Wilson (bass), with the intention of creating an album of raw, unfettered heavy rock; not over-produced but faithful in all regards to the original spirit of the band. Instantly, it all came together. 40 years had passed since they'd last played together, but time meant nothing. It was like putting on an old pair of shoes. No need to break them in, immediately comfortable. The music was vibrant and alive. Iron Claw had been reborn.

Now, Ripple Music and Iron Claw are prepared to open the cage and release A Different Game onto an unsuspecting world. 13 tracks of riff-mad, blues driven rock. Some of the songs have their beginnings in songs written as far back as 1969. Some had been part of the band's live set in the 1970's. Some were bits of other projects. As a whole, they represent the best Iron Claw has to offer and a sound legions of heavy blues fans have been salivating for. Rough and ready rock 'n' roll."

Wow, I believe in wonders. Now I'm totally convinced. This story makes me happy and confident that it is never too late in life to live your dreams. I wish Iron Claw all the success they've missed the last 40 years. Iron Claw's masterpiece A Different Game is along with Stone Axe II the best classic rock release in the last 10 years.

For fans of: Bad Co., Deep Purple, Whitesnake, Free, Thin Lizzy, Lynyrd Skynyrd, Paul Rodgers, Ian Gillian

Members:
Ian McDougall - Drums
Gordon Brown - Vocals
Alex Wilson - Bass
Jimmy Ronnie - Guitars

Tracks:
What Love Left
Saga
The Traveler
A Different Game
Angel Woman
Southern Skies
Falling Down
It's Easy
My Way Down
Love Is Blind
Targets
See Them Fall
Closing In

Release: October 4th, 2011
Style: Blues-based Hard Rock, Heavy Rock, Melodic Rock

Facebook |  Twitter

Grifter - Grifter [2011]

Posted by Captain Beyond Zen on


"UK-based Grifter unleash their first full length album under the Ripple Music banner later this summer. This self-titled forty-plus minute barrage of hard and heavy, gritty-biker blues rock owes as much to the classic sounds of AC/DC and Motörhead as it does the more modern soundings of Soundgarden and Clutch. After forming in 2003, this trio of 70's loving hard rockers have delivered heaping loads of heavy rock n' roll to music lovers across the British Isles, and now, they're bringing their high octane, Guinness fueled sound to the rest of the world!"

Ladies and Gentlemen! Are you ready to ROCK? Do you want to have a good time? Do you love music with high octane? Than you are exactly at the right place! Grifter is one of the best classic rock bands all around and this release is a brilliant album without any weak points. What are you waiting for? Put your biker jacket on and get this record. You will not regret it.

For fans of: Black Sabbath, Clutch, Motörhead, AC/DC, Kyuss

Members:
Ollie Stygall - Vocals/Guitar
Phil Harris - Bass
Foz - Drums

Tracks:
Good Day For Bad News
Alabama Hotpocket
Asshole Parade
Strip Club
Young Blood, Old Veins
Bucktooth Woman
Preacher and the Devil
Bean
Piss and Gas
Unwelcome Guest
Gone Blues

Release: October 4th, 2011
Style: Blues-based Hard Rock, Heavy Rock, Stoner Rock

Ripple Music is currently the best label in the world for 70's hard rock and classic rock. They have already released such masterpieces like Poobah, Stone Axe and JPT Scare Band and set new albums of Grifter and Iron Claw for release on Tuesday, October 4th. Ripple Music doesn't only wave the flag for this kind of music, you feel that these guys are passion driven, passion for every project to put blood into the revitalization of 70's hard rock and classic rock. Keep it up!

Aver - Aver [2011]

Posted by Captain Beyond Zen on Sunday, July 17, 2011


There are so many great bands out there and I have so little time to listen to all of the good music. First of all I want to apologize to all the bands that I couldn't yet listen to and review these outstanding releases, but I want to change this in the near future.

Today I want to introduce you the Stoner/Psyche/Grunge band called AVER from the beautiful city Sydney, Australia. I was there in 2000 (a long time ago, I know) and I was very impressed about the beautiful location and the cool people - and the members of AVER are no exception. Far from that! First of all the gaudy cover catches my eye. Exotic vegetation, a totem pole, fire, purple fumes and a green moon in the black starry sky - superb! In April AVER finished their complete DIY debut album (self titled), and they can be proud of it.

You can call AVER's music some sort of a bastard child of Stoner Rock, Psychedelic, Space Rock and Grunge and their style is very unique. Rip-roaring and catchy melodies paired with great portion of heaviness are the solid basis for all 8 songs. AVER covers the whole spectrum of psychedelic Stoner Rock - from distorted aggressiveness to moderate and mellow tunes. AVER doesn't bore the listener at all. The sound is great - dynamic, spacy, trippy. AVER tried to do it all right - and these crazy Aussies did all right. AVER has what it takes to achieve great success. Highly recommended!

Track listing
1 Anti-Matter
2 Jacob
3 Acid Rain
4 Real Eyes
5 Retreat To Space
6 Decay
7 Stoneage Wasteland
8 Phantom Limb

Members   
Luke: Lunar Fiddle
Jed: Earth Tremors
Chris: Tribal Rhythms
Burdt - Guitar/Vocals



Threefold Law - Revenant [2011]

Posted by Captain Beyond Zen on Sunday, July 3, 2011


With a desire to satisfy a craving beyond mainstream rock, Threefold Law began in Cleveland, Ohio in 2006. Threefold Law pays homage to Black Sabbath, Kyuss, Trouble, Pentagram, Cathedral, and Down. The band’s music accentuates heavy riffs, crafted songwriting, and lyrical themes that expose the frailty of the human condition.

'Revenant', the successor of the the highly acclaimed USB flash drive “MMX” including the two EPs 'The Rede' and 'The Burning Time', is a concept album, which is based on the story of a desert traveler in ancient Persia that spends a night talking with the spirits of the ancients. There are five songs and four are named for the elementals (Earth, Air, Wind, Water). Track three is an acoustic instrumental called 'Interlude'. 'Revenant' features a free standalone website, including a full audio stream of the album and a companion eBook that James Thorn wrote. If you want to immerse yourself more deeply in the fascinating world of 'Revenant', I strongly recommend to read this eBook.

The concept and their artistic realisation is breathtaking but the musical adaptation is utterly heart-stopping. 'Revenant' is a very big surprise for all, who expected some similar to the 'The Rede' and 'The Burning Time' EPs. There are some tunes on 'Revenant', which remembers me to the traditional doom metal of former days, but this time Threefold Law goes far beyond the scope of the doom genre. There are elements of classic rock and seventies hard rock but without the typical pomp and circumstance. The transparent sound is clear and very unique and here and there minimalist. The guitar riffs and solos are hypnotic and the listener gets mesmerized by 'Revenant'. Drums and bass pump terrific in the rhythm of the heart beat and you wish that this journey never ends.

'Revenant' is a marvelous and a great experience and I listen to it again and again and with every time I'm more fascinated. Highly recommended!

In case you didn't know, Threefold Law recently won the Heavy Planet/The Soda Shop "March Bandness" Competition.

Website | Facebook | Merch

Ice Dragon - The Sorrowful Sun [2011]

Posted by Captain Beyond Zen on Sunday, June 19, 2011


Big events throw their shadows ahead and in the case of Ice Dragon it is very tall shadows.Their new album is going to be released soon and I was found worthy to listen to the supernatural sounds of the new album 'The Sorrowful Sun' of this monumental band beforehand. The new work will be by the way published in the solstice on their bandcamp site. For this epochal event a worthy date was chosen.

That their masterpiece 'The Burl The Earth The Aether' became the album of 2010 on Captain Beyond Zen may not have escaped the blogreader's attention. Therefore, I approached this task to review this album with great eagerness, expectations and also with a little scepticism. Can the new album 'The Sorrowful Sun' come close to the quality of the predecessor's album? Can Ice Dragon still excel their masterpiece eventually? However, can one be so presumtuous in such a way, to expect something like that? In such cases when expectations grow into the infinite, one is mostly disappointed.

First the insignificant cover caught my eye and I must confess that I am a little bit disappointed. No colourful fantasy painting, but a simple black-and-white new logo with the album title and the sun on the background which looks like wrapping paper (or it is a concrete wall?). Hmh? I do not like the new logo as much as the old one.


Let us rather deal with the music, because it has really got something! The album begins with an intro of  45 seconds with an acoustic guitar called 'Sunrise', before it really starts  with 'Flowers'. Heavy guitar riffs roar sluggishly and distorts from the speakers, a pumping bass, clattering drums, in addition the siren-like vocals, an uncanny feeling - all trademarks of this unusual band exist. Relief comes over me and after a few minutes my feelings change into enthusiasm. The guitars mill a mega riff after the other from the strings and changes in psychedelic soli and culminates in pure ecstasy to then shatter like glass - insanity! This is how an Ice Dragon song is supposed to sound! Ice Dragon won me over with the first real song on the new album. The next song 'Mistress Death' begins with strange noises before a once-in-a-century guitar doom riff starts and does not let go of you anymore. Again the full holloring hypnotises me completely. Ice Dragon can simply do nothing wrong. More crashing, more clattering, sluggish, psychedelic doom which uniquely stands out in the music scenery, like cypresses from the swamps of Louisiana. A tiny breather follows with 'Light Years' played with acoustic guitars, great basslines and interesting percussion and ethereal song - a featherlight, floating song. Beautiful! Afterwards the dreamy and short intermezzo 'Dusk' follows before the first sounds from 'Interspecies Communication' start. Wow what is that? This is an indescribable, supernatural sound composition. Then I am quite leached out completely from enthusiasm and listen in 'Poseidon's Grasp'. And also this song has all typical  attributes of Ice Dragon again, it starts slow and sluggishly and ends in psychedelic ecstasy. 'White Tusks' is dark, blurred, experimental, downtuned, fluent, and apparently without rhythm. With the last song 'Near Sun, On Earth' the sun rises again. Ice Dragon intone a ballad, which allows one to dream, and are also totally convincing.

The socks of all those who liked 'The Burl The Earth The Aether' will also be knocked off by 'The Sorrowful Sun' and Ice Dragon will still gain many other fans with the new album. Anything but the highest possible grade will be blasphemy.

Nero Order - The Tower [with FREE DOWNLOAD]

Posted by Captain Beyond Zen on Monday, April 11, 2011


This Monday I'm in the fortunate position to offer you the free download of the superb album 'The Tower' from Nero Order. The exceptional approach of Nero Order stands out in a crowd and the result in the form of four overlong monolithic songs produces proof of this successful attempt. These four songs are set in stone like the granite faces of the four American presidents in Mount Rushmore. But now I have to keep silent and let the music speak after my short introduction, which should be like a woman's dress - long enough to cover everything, short enough to catch attention.

Biography

San Francisco avant-metal alchemists Nero Order fuse elephantine rhythms with expansive, tragic melodies and moody, severe vocals - effectively concocting a sound that is simultaneously abrasive and consonant, dynamic and cacophonous; academic in scope and violent in delivery.

Though formed in early 2006, Nero Order has willfully chosen to stay silent and hidden, largely avoiding public appearances while focusing on crafting their Great Work: the upcoming full-length album The Tower. Consisting of four meticulously composed movements, The Tower is an exercise in duality, both aurally and aesthetically. Sonically dense, ambitiously constructed, and intensely executed, the songs that comprise The Tower are stylistically without par in the current rock landscape - though the gravity of mid-late period Neurosis, the frenetic energy of Junkyard-era Birthday Party, the minor melodic sense of Metallica’s Master of Puppets, the staggering volume and intensity of early Swans, the grandiosity of Pink Floyd’s Meddle, and the riff-obsession of Black Sabbath are all summoned therein.

Recorded live to tape and mixed in less than one full week with no digital manipulation of the signal, The Tower is an accurate representation of the band laid bare. In an age where the large majority of recording artists partake of the spoils of modern technology, we feel the above fact(s) are noteworthy, and that the approach underpinning this work ultimately serves as a testament to the quality of the material found within.


Nero Order is:
Matt Butler - Drums, Vocals
Matt Harper - Guitar
Ross Hoyt - Bass
Alex Lindo - Vocals


The Tower Tracklist
1. Signs of Five
2. Celebration of a Wounding
3. Every Pillar and Its Crumbling (feat Eugene S. Robinson of Oxbow)
4. Leveling

For more information, visit:

Bandsite | MySpace | Twitter


Big thanks to Matt from Nero Order for sharing this great music! Highly recommended!

DOWNLOAD MP3 | FLAC | WAV

The Grand Astoria - Omnipresence

Posted by Captain Beyond Zen on Sunday, April 3, 2011


Today I send you greetings from Russia with love. The Grand Astoria's 'Omnipresence' is their third album and it is one of the biggest surprises this year. Formed in the spring of 2009 by guitarist and vocalist Kamille Sharapodinov, The Grand Astoria is one of the bands, which is overseen and not recognized by many in the stoner scene. This could be caused by their origin Russia, which is not really the centre of the psychedelic stoner rock universe, but now the time seems to be ready for their breakthrough. 'Omnipresence' was featured in nearly all important blogs (The Klepto's Guide To Awesome Music, The Soda Shop, Heavy Planet, Planet Fuzz, Doommantia, etc.) and therefore I cannot longer neglect to feature this great band.

The name of this band - The Grand Astoria - comes from a famous hotel in their hometown of Saint Petersburg, Russian Federation, built in 1912 and then renovated in 1991. Those dates alone give us a snapshot of the building’s cultural significance. As one of the city’s most famous hotels, it was designed as a final expression of pre-Soviet grandeur, and would - decades later - benefit almost immediately from an huge injection of post-Soviet wealth. In between these two dates and events, one of the world’s most powerful and restrictive regimes both rose and fell. Somehow the Astoria kept standing.

If the band The Grand Astoria offers the same staying power as their namesake hotel, we will take much pleasure in their to-be music. 'Omnipresence' let my expectations go sky high. 'Omnipresence' is a salmagundi of the best ingrediences what I call my favorite music styles. All songs are equipped with killer fuzzy riffs and infectious hooks and grooves, but one song overmatch everything and is one of the best songs I heard this year - the 12 and a half minute totally epic spaced out psychedelic progressive stoner masterpiece titled 'Something Wicked This Way Comes'. This song is hard to top - it is a conglomerate of the best ideas and put together to an intoxicating maelstrom.

'Omnipresence' offers everything and more you are looking for a modern stoner metal release with influences from psych to prog to punk to 70's hard rock and is The Grand Astoria’s strongest album to date.

Track List:
01.Doomsday Party
02.Hungry & Foolish
03.Mania Grandiosa
04.Omniabsence
05.Rat Race In Moscow
06.Something Wicked This Way Comes
07.The Song Of Hope
08.Omnipresence
09.Stonewall

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If you want to buy their CDs you should contact The Grand Astoria via thegrandastoria@gmail.com